Conceptual Designs for Sustainable Aesthetics: creative chess sets where form follows meaning

Lucas Farinelli Pantaleão, Stuart Walker

Resumo


The paper presents conceptual designs that explore the notion of ‘sustainable aesthetics'. To encourage reflective practice through form and process, and guided by sustainable principles, a practice-based (thinking-and-doing) methodology was followed by Brazilian undergraduate design students. Beginning with a theoretical overview of the historical aesthetics of chess sets (premodern, modern and contemporary) the experimental findings show different approaches to thematic chess set designs that are guided by meaning-laden cultural considerations and developed using local, natural materials or reused (disposed) industrial materials. This is the first experiment of a project that represents a creative attempt to explore and develop an aesthetic for material culture through what we have termed a 'sustainable aesthetic function'. It demonstrates how objects with the same function can be expressed in very different ways whilst all adhering to the notion of "form follows meaning'.


Palavras-chave


conceptual design; reflective practice; aesthetics; sustainability; form follows meaning

Texto completo:

PDF

Referências


BELL, R. C. Board and Table Games from Many Civilizations (revised edition). New York NY: Dover Publications Inc., 1979

BRUMMETT, B. Rhetoric of machine aesthetics. London: Praeger Publishers, 1999

CROUCH, C.; KAYE, N.; CROUCH, J. An Introduction to sustainability and aesthetics: the art and design for environment. Florida: Brown Walker Press, 2015

DROSTE, M. Bauhaus Archiv 1919-1933. Köln: Taschen, 2006

FILGUTH, R. Xadrez de A a Z: dicionário ilustrado. Porto Alegre: Artmed, 2008

LÖBACH, B. Design industrial: Bases para a configuração dos produtos industriais. São Paulo: Blücher, 2001

PANTALEÃO, L.; PINHEIRO, O. A intuição e o acaso no processo criativo: questões de metodologia para a inovação em design. In. Proceedings of the 5º Congresso Internacional de Pesquisa em Design (CIPED). Bauru: Unesp, 2009, p. 435-442.

PANTALEÃO, L. Forma segue significado: o design conceitual de Stuart Walker. Curitiba: Appris, 2020

PAPANEK, V. Arquitectura e design: ecologia e ética. Lisboa: Edições 70, 2014

SCHEIDIG, W. Weimar Crafts of the Bauhaus: 1919-1924/An Early Experiment in Industrial Design. New York: Reinhold Publishing Corporation, 1966

THACKARA, J. Plano B: o design e as alternativas viáveis em um mundo complexo. São Paulo: Saraiva, 2008

WALKER, S. Design Realities. Abingdon: Routledge, 2019

WALKER, S. Designing Sustainability. Abingdon: Routledge, 2014

WALKER, S. Sustainable by design. London: Earthscan, 2006

WALKER, S. The Spirit of Design. London: Earthscan, 2011

WALKER, S.; GIARD, J. The Handbook of Design for Sustainability. London: Bloomsbury Academic, 2013




DOI: https://doi.org/10.35522/eed.v29i1.1148

Apontamentos

  • Não há apontamentos.


Direitos autorais 2021 Lucas Farinelli Pantaleão, Stuart Walker

Licença Creative Commons
Esta obra está licenciada sob uma licença Creative Commons Atribuição - NãoComercial 4.0 Internacional.

Revista Estudos em Design, Rio de Janeiro, RJ, Brasil, ISSN Impresso: 0104-4249, ISSN Eletrônico: 1983-196X

Licença Creative Commons
Esta obra está licenciada sob uma licença Creative Commons Atribuição-NãoComercial 4.0 Internacional.